Lot: 132
Stephen Gooden (and Campbell Dodgson) An Iconography of the Engravings of Stephen Gooden, Elkin Matthews, 1944, quarto, quarter-vellum, gilt, the vellum darkened, illustrated throughout, few corners ‘turned’ o/w VG. No. 66 of 160 with a signed proof engraving by the artist.
Lot: 136
W. Salt Brassington A History of the Art of Bookbinding, Elliot Stock, 1894, large paper edition, No.6 of 50 issued; original gilt decorated cloth, VG; t.e.g., uncut elsewhere; 10 tissue-guarded colour plates and many other illustrations.
Lot: 139
Tony Bradshaw The Bloomsbury Artists prints and book design, 1999, in d/jkt; John Piper in the 1930s: Abstraction on the Beach, 2003, in d/jkt; Drawings of Sir Edward Burne-Jones, Newnes, c.1905; John G. Bennett Witness, 1962; Helen Rossetti Angeli Dante Gabriel Rossetti, His Friends and Enemies, 1949, in d/jkt; and two others. Good to VF (9)
Lot: 140
George Terry Pigments, Paint and Painting, E. & F.N. Spon, 1899, original gilt cloth, 392pp + catalogue; A.S. Jennings Paint and Colour Mixing, a Practical Handbook for Painters, Decorators and all who have to mix colours, E.& F.N. Spon, 2nd Edn, 1904, complete with eight colour sample plates; and 2 others. Good to fine (4)
Lot: 141
Marcus B. Huish British Water-Colour Art, Fine Art Society, 1904 No.261 of 500, signed & numbered by the author, lavishly rebound in modern full red morocco, gilt, with floral endpapers; free endpapers and half-title foxed, occasional spotting elsewhere; t.e.g., uncut elsewhere; 62 tissue-guarded colour plates.
Lot: 142
Augustus Pugin Examples of Gothic Architecture; selected from various Ancient Edifices in England, John Grant, 1895, 3 Vols, tall 4to, original gilt cloth, fine; ownership signature to front endpaper of Vol.1; some foxing to endpapers; fine plates, some coloured but largely line-drawings of plans & elevations. (3
Lot: 143
W.J. Loftie Lessons in the Art of Illuminating, Blackie, 1880s, in 4 parts, printed wraps, 9 colour plates; Edward Duncan Advanced Studies in Marine Painting, Blackie [1889], in 4 parts, printed wraps, 8 colour plates; R.P. Leitch A Course of Sepia Painting, Cassell, gilt cloth, 24 plates, and A Course of Painting in Neutral Tint, Cassell, 1881, gilt cloth, 24 plates. VG
Lot: 144
C.G. Holme (Ed.) Decorative Art 1932 – Year Book of The Studio, The Studio Ltd, 1932, tall 4to, publisher’s gilt cloth, spine faded, fine internally with all plates and adverts, some plates in colour.
Lot: 145
Charles Heaton History of the Life of Albrecht Durer, Macmillan, 1870, 1st Edn, quarto, original gilt cloth, rebacked, spine faded, a.e.g.; fine internally with all plates including Autotypes. List of contents misbound; xv,340pp.
Lot: 146
Antoine Ysaye & Bertram Ratcliffe Ysaye: His Life, Work and Influence, William Heinemann, 1947, original cloth, titles in silver, few fox marks to edge of text block o/w fine.
Lot: 147
Joanna Selborne British Wood-Engraved Book Illustration 1904-1940, British Library 2001; Crook William Burges, John Murray, 1981, d/jkt; Tretchikoff & Hocking Pigeon’s Luck, 1973, in d/jkt; Marguerite Steen William Nicholson, 1943,signed & inscribed by the author; Catalogue of Carvings in Ivory, V & A., 1927-29, 2 volumes; Tyrwhitt A Handbook of Pictorial Art, 1875, full leather, gilt; and others. Good to VF (10)